Jan 5, 2017 - All the songs are just done in Chet Baker's 'Cool Jazz' style. 'Cool Jazz' is basically really mellow & laid back. Imagine the kind of music you'd. 1958 Chet Baker Sings: It Could Happen To You 1958 Chet Baker Sings: It Could Happen To You (Bonus track) 1958 Stan Meets Chet 1958 Chet Baker In New York 1958 It Could Happen To You 1957 Big Band (2004 Reissue) 1957 Embraceable You 1956 The Best Of Chet Baker Sings 1956 Chet Baker & Crew [2] 1956 Chet Baker & Crew.

Each week, we dig in the crates to tell you about a “lost” or classic album we think you should hear. This week’s covers Chet Baker's 1954 album Chet Baker Sings. It’s no wonder that many of the world’s most expensive and collectible records come in the form of jazz and blues, stylings that were founded by poor and oppressed minorities who captured the most lasting pieces of history that recorded music has to offer.

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Regardless of their mainstream listenability, albums by such legends as Miles Davis or serve as more of an American memorandum to very specific moments in history, be it art, culture, or society as a whole. Quick to the Los Angeles jazz scene of the mid-50’s came Chet Baker, whose looks were defined by a sharp chin and slick hair, coming off not as the identifiable heroin addict he would become, but more like a cross between the classy professionalism of Frank Sinatra, while communicating the same rebellious danger and machismo of James Dean.

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“ Everybody has a story about Chet Baker, ” said photographer William Claxton. When developing his shots from Baker’s very first recording session for Columbia Records, Claxton recalls: “ I was making enlargements, and the images were coming through on the development tray. That was the first time I learned what photogenic meant, or what star quality meant, or charisma ” Baker used those good looks to his advantage, conning friends or friends-of-friends into giving him money to score drugs. He knew just the way to push people’s buttons, both men and women, until they gave in to his charm. Seemingly everyone who worked with him would describe how natural his abilities appeared to be, how seamlessly he could fit in onstage, how easily the music would come to him. To quote his later lover Ruth Young: “ You really can’t rely on Chet.

And if you know that, you can pull through. ” As a kid, Baker’s favorite trumpet player was Dizzy Gillespie. So when Gillespie finally came through town, Baker got into the show and of course snuck backstage to find his hero. Gillespie put his arm around Baker tenderly while they talked, and the encounter would cement his dreams to pursue a career in jazz.

After a few years in the army, and then a few years studying music theory in college, Baker dropped out feeling as though he’d never really be able to fit in no matter where he went. All he wanted to do was play his trumpet. But in his mid-to-late-twenties he was introduced to heroin, which in his own words: “.brought me down, down, and I finished in jail, many times. ” Chet Baker Sings, originally released in 1954, broke the standard mold of modern jazz as an improvisational show of instrumental prowess. A true master of playability, Baker set down his horn and led his band in one million-dollar love ballad after another.